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Motown royalty gathered in Detroit to celebrate the renaming of a section of Grand Avenue in honor of founder Berry Gordy, Jr. Susan Whitall covers the names and faces who attended.

Contact News reporter Bob Berry says: Even though she grew up in Detroit Aretha Franklin’s most productive years happend during her association with Atlantic Records. Terry Lawson notes that even the rejects from those years are classics. Aretha Franklin: Rare & Unreleased Recordings from the Golden Reign of the Queen of Soul ($19.95) features 35 tracks from the Queen of Soul’s years at Atlantic, 1966-1973.

One of the best things about Detroit television in the 60s was Soupy Sales. Loosely scripted and at least 80% ad libbed, Soupy’s show was aimed at kids, but it connected just as effectively with adults. Every Keenerfan?has his favorite Soupy skit. What’s yours? To help jog your memory, here is a complete Soupy Sales show from 1965 as preserved on YouTube: Part One – Part Two – Part Three. For the more adventurous, Ed Golick recounts the day Soupy had an unexpected visitor.

THE highlight of the recent Emmy Award broadcast was soundtrack from the Soprano’s tribute. The cast of the smash Broadway musical “The Jersey Boys”, performed some flawless interpretations of the music of The Four Seasons. My wife is the award show addict in our family, but I found myself pulled from the computer room, rewinding the DVR to listen again to the incredible Seasons magic. As this NYT article notes, the musical has been a catalyst for another Four Seasons rennaissance. And at the center, the singular talents of Franki Valli. The group charted 15 times on WKNR. Valli had 5 WKNR Music Guide appearances as a solo artist. At the dawn of the British Invasion, VeeJay actually put out a battle of the bands album pitting the Seasons against the Beatles. Here’s how the Four Seasons looked and sounded during a Hullabalo appearance at the height of their fame.

What do you remember about the winter of 1967? In New Orleans, District Attorney Jim Garrison said more than one person was involved in the Kennedy assassination. Teamsters President Jimmy Hoffa began an 8 year sentence for jury tempering. And Albert Desalvo received a life sentence for murders committed by The Boston Strangler. Zero in on the month of March. On NBC, Captain Kirk and Mr. Spock lose their inhibitions after being exposed to strange plant spores on Omicron Ceti III. Batman and the Monkees are at the height of their television fame. And on Keener, the airwaves are populated by a who’s who of 60s rock n roll acts: Buffalo Springfield, the Beatles, Herman’s Hermits, Martha & The Vandellas, the Four Tops, the Mama’s & Papa’s, the Royal Guardsmen, the Rolling Stones, Bob Seger, Harpers Bizarre, Leslie Gore, Peaches & Herb, Elvis Presley, Big Brother & The Holding Company, Frank & Nancy Sinatra, Stevie Wonder, the Platters and The Turtles. Look at the WKNR Music Guide for the week of March 6th and you’ll see a songbook filled with hits that are still in heavy rotation on oldies stations today. Perhaps the most unlikely group on the survey was lead by Mark Volman and Howard Kaylan. The two Westchester high school buddies fronted a band called The Turtles, a group that was teetering on the edge of oblivion.. until a tune, offered to them by strangers, rejuvenated their career. Happy Together rocketed them back to the top of the charts and became a multi-million dollar franchise that is still tapping toes and throwing off revenue today.? Here’s how the Turtles looked and sounded when they appeared on the?Smothers Brothers show in 1967. But what’s the story behind the story of the Turtles’ biggest hit? Mix Magazine occasionally looks back to dissect the magical art that studio recording was in the day. Their classic tracks review of how Happy Together came to be paints a vivid picture of the combination of talent and luck that made hit records happen.

He defined the Stax Records sound. He brought down the house at the Monterey Pop festival. And 40 years after his death, at age 26, Otis Redding‘s energy is still being felt. Here’s CNN’s look at his life and legacy and a YouTube recording of his electrifying live version of Try a Little Tenderness

Radio enthusiasts who grew up listening to the superb execution of 60s rock n rollers like WKNR have a particular affinity for Johnny Rivers‘ Soul City Records. The label was the first to sign Jimmy Webb and spawned the careers of Al Wilson and the Fifth Dimension. Part of Johnny Rivers’ genius was his ability to bake good compositions, talented artists and electrifying arrangements into hit records. Listen to California Soul, Aquarius and Summer Rain and you get a feel for the hit making personality you could expect when you bought a 45 with the Soul City logo on it. One of my favorite Soul City smashes was the October, 1968 debut single from Al Wilson: The Snake. From the opening guitar riff and the Ludwig octoplex tom toms to the verses that build to a climax with key modulation and perfectly layered horns and background vocals, The Snake is a song you can listen to over and over again, finding another Rivers nuance each time. Add to the mix, Johnny’s innate understanding of how to build a mix that sounded just as hot on your Fisher stereo system as it did on your 6 inch car radio speaker and you have an exquisite example of an artist at the peak of his creative powers. Here’s a link to a good stereo rendition of The Snake.. Skip through the wannabe intro who over acts the part of a DJ.. turn your speakers up loud..?and enjoy!

Steve Wonder attracted “a true rainbow coalition who came from city and suburb, of all races and surprisingly, more than just baby boomers.” Susan Whitall covers his return to Detroit and Mitch Albom shares an appreciation that approaches poetry.

When Jim Jeffries left Keener for WQXI, part-timer Steve Robbins assumed the overnight chores. He was at the station for less than a year and had the distinction of writing a music column in one of the interim newspapers that published duing the 1967 newspaper strike. In January, the Monkees were riding high on the WKNR music guide, at number one with I’m a Believer. Their national tour was due to make a stop in Detroit the night after this aircheck was recorded on Friday, January 6th. In the top ten that week was an eclectic mix including Snoopy vs The Red Barron, Georgy Girl, Words of Love, Tell It Like It Is, Karate, Good Thing, Love’s gone Bad, I’m Gonna Miss You and Nashville Cats.

Like him or not, there’s no question that Elvis Presley still is a phenomenon. New generations, born long after he “left the building” are fascinated with his life and career, his recordings still sell at a brisk pace, and Elvis impersonators represent a measurable showbiz segment, wherever gamblers congregate, from the pueblos of New Mexico to the glitter of Las Vegas. August 16th marks 30 years since the King’s death. From the Freep, here is Terry Lawson’s Essential Elvis.

For those of us who grew up listening to WKNR in the 60s, Faygo was as much a part of the culture as Ballpark Franks, Strohs Beer and the Ernie Harwell. What you might not know is that it was Faygo?that coined the term “pop” after the sound made when you open a Faygo bottle. Or that Faygo’s national popularity happened after they started advertising on Detroit Tiger radio broadcasts. Or that Harold Peary, the frustrated store owner who repeated the long list of Faygo flavors only to have the kid select “Red Pop”, was best known as radio’s Great Gildersleeve. Faygo TV ads are some of the most memorable of the Keener era. Here’s a link to the original Faygo Kid spot, along with a YouTube connection to the “remember when you were a kid” ad that was shot on the BobLo boat, celebrating some of the best of Detroits cultural magic.

He was best known as the writer/producer of Nancy Sinatra’s 1966 break through “These Boots Are Made For Walking”, but Lee Hazlewood, who died this week at age 78, put his imprint on a number of Keener hits. The former Arizona disk jockey charted twice as a singer. A pair of duets with Sinatra, “Jackson” and “Some Velvet Morning”, made their way to the WKNR Music Guide in 1967. But his work behind the scenes had a longer reach. He co-wrote Duane Eddy’s smash “Rebel Rouser”, worked as producer for Dean Martin, Dusty Springfield, Dino, Desi & Billy and Petula Clark and handled the controls when?Sinatra Senior asked him to?produce?the?Frank and Nancy top 5 classic “Something Stupid”. The songs he wrote provided a lifetime of financial security that allowed Hazlewood to thumb his nose at the record company establishment. Yet he kept recording until the end. His?final collection “Cake or Death” was released last year. Here’s how NPR showcased his life and career.