Keener 13

The co-founder of Keener13.com has a three decade love affair with broadcasting and was a key contributor to WNIC’s (Keener’s successor) return to glory in Detroit. He’s now the Director of Michigan Public Media, the umbrella organization that guides the fortunes of University of Michigan WUOM, WVGR and WFUM. In a wide ranging Spartan Podcast interview, he talks about the increasing popularity of public broadcasting, how IPods satellite radio, HD broadcasting and streaming are impacting terrestrial broadcasting, and his formative years in Detroit radio and at Michigan State University.

After more than three years, the Keener Podcast has faded into history. Why? 1) The day jobs that Steve and Scott have are keeping us pretty busy and time has been at a premium. Both of us won’t do anything Keener related unless we’re certain it will live up to Keener standards. 2) It costs us around $1,000.00 per year in copyright fees to ASCAP, BMI and SESAC. While we heartily support the new podcast licensing structures that these visionary agencies have created, we do all of our Keener projects with our lunch money and the women who manage our finances are telling us to get underwriters or “cut it out”. 3) While several groups of music podcasters continue to work with the RIAA on a mechanical license fee scenario and the association has been kind enough to allow our mentors at places like Coverville to continue to podcast while discussions continue, a mechanism does not currently exist to allow us to use the great Keener music effectively. Everything about Keener13.com is above board and legal and we intend to keep it that way. Our hope is that the RIAA will come to understand the value of podcasting as an effective vehicle for promoting and selling the great music of the Keener era. It’s truly timeless and should be exposed to new generations. Thanks again to Jon Wolfert at Jingles.com for allowing us to use the great PAMS Keener jingles. What may become of the Keener Podcast library? Who knows, WKNR is the most featured radio station on XM’s 60s on 6 channel. Maybe you’ll hear them over there some day soon!

Brian’s Blog notes that “The Warmth of the Sun” features 28 re-mixed, remastered tracks.. all in stereo. There are six tracks mixed in stereo for the first time, All Summer Long, You’re So Good to Me, Then I Kissed Her, Please Let Me Wonder, Let Him Run Wild and Wendy. Most of us remember the so-called stereo LP versions which were “duophonic”, music in one channel, vocals in the other. Here’s a question. Brian is said to be hard of hearing in one ear. Who did the stereo mixes? It was probably Mark Linett, who talks extensively about his work with Brian in EQ Magazine.

Contact News Correspondent Bob Berry says: Linett, btw, has done exceptional work with the Beach Boys library. Also a guy named Bob Norberg, who has done some wonderful re-masters on Capitol’s 50’s & 60’s “pop”, notably the Capitol “Ultra Lounge” series. Here’s more on how Capitol goes about remastering.

The album is up and available for listening / download now at Rhapsody.

Susan writes that the auto exec will appear on “Wait, Wait, Don’t Tell Me!,” May 17, at Ann Arbor’s Michigan Theater. Also, as Steve Allan exits the PD chair at WOMC, the “oldies” word is again heard as part of their branding message.

Lots of aircecks and jingles, including a buch of Keener stuff. MORE

TV’s former jackpot daypart is now the realm of reality and game shows. More and more of us are time shifters. MORE

They sold records, but are they worthy? Who is the Rolling Stone editor who some say is behind it all? MORE

This site has lots of interesting links but,.. where’s Keener13.com?

The former WLS and WMMS programming ace speaks his mind. He’s right on.

Digital Video Recorders are impacting the way we consume content. And we’re fast forwarding through the commercials. Advertisers are seeking new ways to make impressions, including the now multi-billion dollar “product placement” business. MORE

After more than three years, the Keener Podcast has faded into history. Why? 1) The day jobs that Steve and Scott have are keeping us pretty busy and time has been at a premium. Both of us won’t do anything Keener related unless we’re certain it will live up to Keener standards. 2) It costs us around $1,000.00 per year in copyright fees to ASCAP, BMI and SESAC. While we heartily support the new podcast licensing structures that these visionary agencies have created, we do all of our Keener projects with our lunch money and the women who manage our finances are telling us to get underwriters or “cut it out”. 3) While several groups of music podcasters continue to work with the RIAA on a mechanical license fee scenario and the association has been kind enough to allow our mentors at places like Coverville to continue to podcast while discussions continue, a mechanism does not currently exist to allow us to use the great Keener music effectively. Everything about Keener13.com is above board and legal and we intend to keep it that way. Our hope is that the RIAA will come to understand the value of podcasting as an effective vehicle for promoting and selling the great music of the Keener era. It’s truly timeless and should be exposed to new generations. Thanks again to Jon Wolfert at Jingles.com for allowing us to use the great PAMS Keener jingles. What may become of the Keener Podcast library? Who knows, WKNR is the most featured radio station on XM’s 60s on 6 channel. Maybe you’ll hear them over there some day soon!

Ahh Socialism. Holland is one of those countries where all you have to do is petition the government and you may just get your documentary project funded. That’s what Wouter van Opdorp did. Last fall Wouter wrote us in search of the Paul McCartney Death Hoax story, and the WKNR-FM jock who amplified the most famous Beatle urban legend to the international stage. Russ Gibb agreed to a rare interview on the subject and thanks to the largesse of the Dutch Government, Wouter and his team descended on Dearborn to get the scoop. (Click the image to enlarge)